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Showing posts with label Movie. Show all posts
Showing posts with label Movie. Show all posts
Wednesday, October 5, 2011

postheadericon Download Pirate 2005 movie

 Download Pirate 2005 movie
Release Date:- 2005
Plot:-  
Details:- Co-produced by Digital Playground & Adam and Eve, Pirates was shot on HD combining over 300 special effects and features with a professional script. Merging two esteemed studios and casting their most demanded contract stars together is a unique opportunity for fans around the world. Pirates showcases Digital Playground’s contract superstar, Jesse Jane in her first girl/girl scenes with Janine & Carmen Luvana. It offers all of the production values of a Hollywood release alongside 10 of the most arousing sex scenes in the history of erotic cinema. Filmed entirely on location, Pirates is filled with action from deadly swordplay against skeleton warriors, awe-inspiring Incan magic and grandiose sea battles. It is an electrifying and swashbuckling sex-tale and the most comprehensive movie the adult industry has ever produced.
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postheadericon Summer Reviews: August Movie Recaps

While Franco does his best with a character who makes some radical personality shifts to help the story, beautiful Freida Pinto does well as a primatologist who grows close to Rodman, and John Lithgow shines as his Alzheimers suffering father, it’s Andy Serkis who is the real star as he creates another incredible character in Caesar. You will forget within minutes that the apes are digital and Serkis who deserves all the plaudits for an extraordinary performance surely one that is heightened, not diminished by the motion capture process. Director Rupert Wyatt also took his time creating a back-story and not just diving into action, serves a loving tribute to the classic film by re-working immortal lines and moments in a truly creative way. This is already one of the most emotionally resonant films you will see all year and one that truly deserves Oscar attention. Fist of Dragon For martial arts movie lovers, the tight and impressive fight scenes makes this Malaysia-Singapore film a must watch. However, other than the action that does deliver, especially the ultimate fight in a warehouse with its admirable choreography and the efficient employment of props on the set, you just can’t really hoping much from the rest. The story is so straightforward that you can predict everything from the very beginning to the very end, and the acting from most of the actors are either really wooden and unnatural or just way over the top. It’s refreshing to see another newcomer like Michael Chuah break in the flourishing martial arts genre, and he also got some really good pedigree helping him in the form of the producer who worked on “Ip Man 2”. So, “Fist of Dragon” can really be something to be proud of if just the adrenaline pumping action sequences weren’t served with the undercooked script, unprofessional acting and uninspiring direction. Horrible Bosses The premise is provoking enough to get you into the cinema and providentially the humour delivers with an entertaining ensemble cast that leaves you wanting more. Credits to the three lead actors Jason Bateman, Charlie Day and Jason Sudeikis also the impressive supporting cast, which includes Donald Sutherland, Jamie Foxx, Colin Farrell, Jennifer Aniston, and Kevin Spacey, the movie was raised well beyond what you might expect from the material. It stands out from the rest with a unique and fun plot and though all the characters are pretty one-dimensional, you will enjoy the antics and the twists the film provides. Spacey deserving note for playing a role which would have chilled the spine if you wasn’t too busy laughing while Farrell and Aniston generate two characters who are an absolute delight to hate.
Although half way though “Horrible Bosses” does fall into the comedy genre trap of becoming a little episodic - essentially what we obtain for the final 45 minutes is one shenanigan after the next - it’s this magnificently outrageousness that makes the move so entertaining. Delhi Belly Seem like a Bollywood version of “The Hangover” at first sight but this film produced by one of the most famous Indian actors, Aamir Khan, surprisingly offers a satisfying 95-minute-long comic caper that is absolutely smarter and wittier than the infamous second “Hangover” film. “Delhi Belly” is probably also the most raucous, boisterous, potty-mouthed production ever came from the lively Hindi movie industry. And as some of us frequently criticizes that Hindi movies thrive on beaten-to-death formula, this movie just suddenly came and defies the stereotype and bring a brand new recipe to the table. The story is about three amigos found themselves in complicated situations, the no-nonsense Tashi (Imran Khan), the clueless but talented Arup (Vir Das), and the food-loving, diarrhoea-prone Nitin (Kunal Roy Kapoor), sloppy roommates who live in a lower middle-class neighbourhood in New Delhi. While Tashi works as a journalist, Nitin is a photo journalist with him, and Arup is a cartoonist working under a ‘boss from hell’. Tashi has an air-hostess girlfriend named Sonia (Shehnaz Treasury) and while their lives are hunkering around with no form or feature, two are engaged to be married within a month. But trouble begins when Sonia acts as a courier for an international smuggler. A little daft, she asks Tashi to deliver the package, who in turn gives it to Nitin, who passes it to Arup.
Director Abhinay Deo executes the ‘bizarre turn of events’ script written by Akshat Verma (also the Associate Director) really well. However, he does take some time to get along with the story. Aside the crazy, grungy humours, this film also has just the right amount of twists to hold your attention. Cowboys and Aliens One might expect a high-concept idea like “Cowboys and Aliens” to break some of clichés in Westerns and science fiction genre, but the film really doesn’t have quite that much of power in its final result. The story starts off with a cattle baron who likes to throw his weight around (Harrison Ford) trying to intimidate the local sheriff (Keith Carradine) into releasing his immature, spoiled son who shot a deputy and very unwisely picked a fight with a seriously dangerous fugitive (Daniel Craig) with amnesia. When the aliens show up, the cattle baron — a Civil War veteran — has to team up with the fugitive and the townspeople to find his son and their missing kin and do battle with the aliens.
Borrowing all of the stalest cliches of both genres, it’s exactly what you think it is and what should have been a wild, totally fantastic ride turns out to be leaden, badly-paced and dull. The film also wastes good opportunities with its stellar cast and how disappointed us by the very flatness of the film regarding how well Jon Favreau had previously brought to the summer blockbuster fest. Captain America: The First Avenger In this last film of Marvel Cinematic Universe before next year’s mega team-up that is “The Avengers”, Steve Rogers (Chris Evans) is a frail young man who desperately wants to join the Army to help the United States win World War II. A scientist (Stanley Tucci) working for the government overhears Rogers and convinces him to be a test subject for his experiment. He has developed a serum that enhances the body in almost every way, effectively creating a super soldier. The experiment works perfectly, but Rogers is relegated to the propaganda machine until he proves his worth. He and a special group of soldiers, including best friend Bucky (Sebastian Stan) go after Red Skull (Hugo Weaving), an equally unique specimen who runs Hitler’s Hydra research program, but has ambitions of his own.
Joe Johnston’s “Captain America” surely isn’t one of the best comic book movies, it pales in comparison to its Marvel Studios brother "Thor" this season. It also just an effortless tale of goodies versus baddies without a hint of depth, humor or class of Marvel's earlier “X-Men” summer offering. I even was skeptical when Chris Evans was announced for the Cap role and thought he was very wrong for the part, and he proved me right. When Steve Rogers finally becomes Captain America, the movie only starts to wobble before ultimately tumbling.

postheadericon Summer Reviews: June Movie Recaps

Transformers: Dark of the MoonA little bit better than the ‘messier than all messy stuffs’ previous film but this latest (and one hopes final) effort of Michael Bay to destroy every city in United States with his robotic battalions is still a carnival of metallic special effects on top of everything else. Audiences will likely have enough fun time with the $200 million-dollar tagged full FX action sequences, and in addition to the positive side, this third outing also less of goofy humors and no longer have its pathetic foxy Fox lady. But, in all majesty honesty, “Dark of the Moon” still has its share of classic problems: not only an overloud and overlong MTV generation clip but also badly shot and edited, nothing original to be found in it, poorly written script with many wretched dialogues, zero any type of improvement on both human and robot characters, and last but not least, the former Victoria’s Secret model, Rosie Huntington-Whiteley, receive the relay race baton from previous main actress to become the most wooden, unimpressive performance of the year. But hey, she’s a Victoria's Secret model and that's really all she does here. And final note to Mr. Bay and other Bay-ish directors: One can't live on effects and poses alone!
Score: 5 out of 10 Autobots
Another based on the true story Japanese movie about dog, “Wasao” is adapted from the story of an abandoned Akita dog named "Leo" who gained instant popularity after introduced to traveller's blog as "Wasao". Apparently Wasao (which apparently means furry in Japanese) was abandon as a puppy and he traveled on his own for a while. At the coastal town of Ajigasawa in Aomori Prefecture, he was rescued and raised by the female owner of a grilled squid cafe. Wasao that is known throughout Japan for being weirdly cute even has given the status of special ambassador for World Heritage-related activities by the National Federation of UNESCO Associations. In its outlines, the film's story is pretty faithful to the true-life tale that's widely circulated on the web and media, and the real furry cute Wasao makes a screen debut as himself in this film that tells a sentimental yet heart-warming story also his past that has never been told. Though the cuteness of Wasao can easily charm the audience but the movie itself is painfully long and draggy, lack of focus and character development. The filmmakers also decided to let Wasao be his own rambunctious self that gives him a certain credibility while also makes him a passive presence rather than an involved actor through much of the film. The worst thing that made this film more and more draggy is the non essential people and subplots that had nothing to do with Wasao's story. As a dog movie, it just can’t be compared with the more superior “Hachiko” but for many true dog lovers out there, this movie is still can be a watchable one.

Monday, October 3, 2011

postheadericon SUMMER REVIEWS: AUGUST MOVIE RECAPS II

 There’s word of mouth that cats are extremely capable of being aware of what is happening within their environment. How many pet owners have witnessed their cat seeing something that frightens it? Almost every cat owner can tell the tale of their beloved kitty having its hair stand up on its back, while hissing and spitting at seemingly thin air. Ghost stories would indicate that cats are very perceptive of both the physical and spiritual realms and there are many accounts of cats seeing ghosts including this new horror from South Korea “The Cat: Eyes That Sees Death”.
Launch with the fairly familiar premise, this horror movie surprisingly is pretty engaging and captivating throughout. It’s not only count on the classic shock tricks to make you jump from your chair such as unexpected loud sounds and sudden ghost appearances, but it also has an intriguing mystery and a tight narrative that contributes to increase the suspense.
Since director Byun Seung-Wook is successful enough to deliver his only second directorial effort and first in the genre, also the main star Park Min-yeong provides a convincing performance as an animal groomer who comes face to face with the mysterious cat and the tragic past behind it, “The Cat” can consider as one of the better Asian horror movies this year. No doubt that the comic book artist Troy Nixey, despite his first time in directing, is obviously got a great feel for constructing artistic visuals, and he does a remarkable job with the old mansion as he turn it into a place that’s both beautiful and dreadful by turns. The creatures themselves evidently got Del Toro signature all over them, however, though they look great but they’re less effective than they should be. The cast is strong especially the young Bailee Madison who shows a brilliantly perfect performance, but the storyline is kinda standard and it too shy to add something new to the genre or make it a better horror experience than the classic TV show. The fairy-tale aspect is also not very well-crafted to suggest an appealing fantasy and the scary stuffs aren’t terrifying enough to be exactly chill you to the bones. “Don’t Be Afraid of the Dark” is also quite slow to build even with its brief running time. It just feel like it should be a better movie than it is. It extremely wasn't easy to look forward to yet another of the “Final Destination” series but somehow it still crazy fun to watch how crazy further is the maker of this fifth film took the premise and concept of the series, as long as you manage your expectations. There are mass amounts of blood and gore for any serious horror fan. First-time director Steven Quale keeps the fear factor up as Death's sinister agenda claims a number of the passengers and then picks at the rest, one by one, in some very very nasty ways that gonna shock you, especially in 3D. But the problem with this fifth destination which attempted to depart from a tried and tested formula by revealing a new twist is still the same: very little character development, which explains how you enjoy watch them killed one by one in every horrible way, and certainly lack of a villain that has always made the series less about horror than about shock value. Labeled as the sequel to the 2009 blockbuster crime thriller "Overheard", some viewers would have expected this to be an utterly unusual and much more intricate narrative though ones who have seen the previous film certainly may wonder how they could do a sequel to that story. But in fact this is not actually a sequel or even a prequel, it’s just another film with the same cast and crew and a similar theme, a tragic sad tale of how long-time friends eventually turn enemies when faced with the prospect of huge financial profits. The movie's co-directors Alan Mak and Felix Chong however not only bring together the cast of the first installment but also added two heavyweight actors to take two important supporting roles. The three main characters also got mixed up since Lau Ching-Wan, Louis Koo and Daniel Wu who played a trio of police officers working together in previous film are now take roles on opposite sides of the story. In this case, Lau is a the financial executive caught up in a group of insider traders, Daniel is a former military man out to get revenge against the traders and Louis is a police officer investigating them both.
Don’t expect this one as an all out Hong Kong action film because it certainly doesn’t have those Hollywood-styled fast-paced action scenes. In fact, it spends a lot of time talking all things about relatively complicated financial market manipulation that might not be easy for the average viewer to follow or find entertaining. It still has few ‘hold-your-breath’ scenes in between though especially the extended chase scene on busy streets, and overall, “Overheard 2” is still a “watchable” movie despite the relatively subdued ending.


Wednesday, September 21, 2011

postheadericon Colin Firth Thinks Movie Audiences Are Being Underestimated


Isn't it nice when someone tells you you're smart? Well if you like going to the movies, then Colin Firth just called you a genius.

Now that his latest starring vehicle 'Tinker, Tailor, Soldier, Spy' has walked away with glowing reviews from the Venice Film Festival, the Oscar-winner sat down with The Guardian to discuss how it will be received by a wider audience on December 9. According to reports, the film moves along at a slow pace and carries a highly intricate plot that might turn off some viewers, but that doesn't seem to worry Colin Firth.

In his own words:
I do think there is a tendency to underestimate audiences, I do think there is an appetite to be stretched. I do think people want to hear language at its best on the screen. I'm optimistic about it having an enormous audience."
In light of the financial success of 'Transformers: Dark of the Moon' and Disney exec. Andy Hendrickson's belief that a movie's story doesn't matter, the sad thing is that Firth might be in the minority. It's great to hear that someone in Hollywood has faith in the intelligence of moviegoers, but click through to tell us what you think about Firth's comments and check out the latest trailer for 'Tinker, Tailor, Soldier, Spy.'

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